The British Library, CC BYīooks in the Middle Ages were much more valuable than they are today because of the time, skill and expense it took to make them. The copy features many doodles in the margin. A copy of Sir Thomas Malory’s Le Morte Darthur, which was composed in Newgate Prison, London between March 1469 and March 1470. Rather, their copying habits are highly sophisticated and provide an example of how, in this case, 15th-century scribes played a role in shaping the reception of literary texts by their contemporary audiences. Marginaliaĭoodling in medieval books also brings us into the world of play as readers and scribes then, as now, surrendered themselves to the urge to interrupt empty spaces on the page.ĭoodles in the margins – properly known as marginalia – offer the reader some respite from the labours associated with concentrated reading, but also tell us something about how readers reacted to and engaged with the literary world on the page.įor example, although Sir Thomas Malory’s Le Morte Darthur contains relatively few marginalia compared with other medieval manuscripts (80 throughout the 473 surviving folios, by my count), they often mirror the action happening in the narrative in unique ways and demonstrate that the scribes weren’t merely mechanical copiers. Pen trials such as these show that scribes were not just passive processors of the text, but active participants in making the text. This scribe was obviously not enjoying their work. Thus, let this composition be ended here. In Aelfric’s 11th-century Old English De termporibus anni, a concise handbook of natural science, the scribe finishes with: Sometimes, though, the scribes were a little bit bolder and wrote more emotively about their work. The scribe has written the Latin words “ Probatio Penne”, which means “pen test”. vi, which is currently held in the British Library in London. We see this in a manuscript catalogued as Cotton Vespasian D. These types of doodles – an odd name here and there, modest works of art or even a line of music – are important because they give us a rare glimpse into the real day-to-day life of these medieval scribes and what they really thought about the books they were scribing. Now, though, with modern technology, medievalists can uncover all sorts of messages that lie behind the pages of these ancient books. Doodles from pen trials were never meant to be seen by the future reader as the flyleaf would later be glued to wooden covers. After trimming the nib, the scribe would usually test the pen on a blank piece of parchment or flyleaf to make sure that his letters were legible. Importantly, the knife was used to adjust the nib of the writing instrument when it became dull after much use. It was also used for gently holding the parchment in place so that the scribe could avoid resting their hand on it, which would risk leaving fingerprints or natural oil from their skin on the surface of the page. The knife was used for a variety of purposes, such as pricking and correcting errors by scraping the parchment. When we see images of scribes (people who made written copies of documents) writing, they are often depicted with a pen and knife in hand. The origins of doodling in the Middle Ages are hard to pinpoint, but they probably started with pen trials. Given the skills and specialisation required for writing in the Middle Ages – the training, level of literacy, access to materials, for example – doodles in manuscripts were rarely thoughtless or accidental. It was commonplace to write in margins, underline and annotate, use blank spaces for recipes and handwriting practice, and even colour in images. Usually found in the flyleaves or margins, doodles can often give medievalists (specialists in medieval history and culture) important insights into how people in earlier centuries understood and reacted to the narrative on the page. Scribbling haphazard words, squiggly lines and mini-drawings, however, is a much older practice and its presence in books tells us a lot about how people engaged with literature in the past.Īlthough you wouldn’t dare doodle on a medieval manuscript today, squiggly lines (sometimes resembling fish or even elongated people), mini-drawings (a knight fighting a snail, for instance), and random objects appear quite often in medieval books. To “doodle” means to draw or scrawl aimlessly, and the history of the word goes back to the early 20th century. Private Accommodation and Living Locally.School of Human and Behavioural Sciences.School of History, Law and Social Sciences.Intellectual Property (IP) and Commercialisation.Slavery and Human Trafficking Statement.Integrated Research and Impact Support (IRIS) Service.
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